Wedding Illustrations

Two coats of arms for a priest: a family shield and an ecclesiastical version. Starting from a 17th-century armorial entry, I explored helmets, scrolls and tassel knots in pencil, compared colour options, then redrew the final arms as clean vectors for print at 20 and 40 cm.

A tri-fold leaflet on what the Shroud of Turin shows. The challenge was to make dense, sensitive content easy to scan: two clear columns, short evidence blocks, and Gospel quotes matched to marks on the cloth with small pictograms.

A brand mark for a hot sauce, built around an illustrated portrait of its creator. The badge shape, chilli accents and retro script give it a family-recipe feel that stays readable from a bottle label down to a social media avatar.

Illustrations drawn for a wedding: a stag, a doe, a fawn and a mossy wayside cross with a robin. Each one sits on a transparent background so it can be placed freely across invitations, menus and place cards.

Painted portraits of a friend and myself, finished as die-cut stickers with a bold outline. A study in likeness and simplified light, designed to read at a glance on screen as well as in print.

A series of digital ink portraits drawn with hatching only. Each head is an exercise in capturing character with as few lines as possible, from realistic faces to light caricature.